Saturday, January 22, 2011

Scott's Review: The Green Hornet(2011)



Remakes. It's nothing new for Hollywood to remake movies, or make TV shows into movies. Green Hornet was a movie from the early 40s and a TV show in the late 60s,neither of which I saw, nor the movie based on the show in the 70's? I'm confused. My only previous knowledge of this franchise is Bruce Lee. So if you're a die hard fan of any of the previous Green Hornets, show or movies, and want to know how true to the "original" whatever you watched first is, stop here because I went to see this movie as most movies including this one and all it's predecessors of the same name were intended to do. Entertain.

3D. Another bug that has bitten Hollywood before and seems to come back every so often, I'd like to say that it gets better each time. So the question going into this movie was "will this be another completely unoriginal remake that just fails to entertain and succeeds in taking my money and a few extra bucks for the 3D?" Luckily, we have a few weapons on our side to fight the good fight.

In this corner, fighting against unoriginal and bland, recycled scripts, Seth Rogen and Evan Goldberg. The writers of Pineapple Express and Superbad. Also in this corner, taking on forced, trite, overly done 3D: Michel Gondry, the director of many beautiful movies. So out of respect and appreciation for Gondry, I chose to spend the few extra dollars on 3D. I'd say it was worth it, but not necessarily required. The movie was very visually pleasing throughout and Michel Gondry puts his stamp on it, which is always in the plus column as far as I'm concerned. Not his best work, but one of the best for the masses as well as people who may not be familiar with, or appreciate his work. As far as the writing, it kept me in the movie and kept me laughing throughout. This movie pushed 2 hours and at no point did I check my watch(phone of course). It had the typical Seth Rogen that people pretend to be tired of and he is comediclly supplemented by the little Karate guy that is just
learning English. Oh and of course, there is a love triangle. Yet, It doesn't get old and consistently entertains unlike many other movies.

This movie is a January release which usually means that it isn't trying to win awards. It is not a summer blockbuster either. There aren't any "standout" performances, yet everyone does their job and each are completely believable in what roles they do play (including Christoph Waltz in his first role since his award winning 'Hans Landa' in Inglorious Basterds). At no point do I, as the viewer, feel like I paid too much, or like I'm wasting my time on this movie. It's a breath of fresh air (filled with fake butter, popcorn and old hotdogs) at the movies that just reminds me that movies are meant to entertain.

Green Hornet doesn't try too hard. Doesn't claim to be a typical super hero movie. Doesn't fit any stereotypical mold. It's simply meant to entertain you for the two hours that it is on screen and it succeeds in doing that. Unlike some other January "filler" movies, it makes you feel like your money and time were well spent, even with the extra cost of 3D. And to quote a friend, "There is a reason they sell popcorn at the movies"(Editors note: That friend was ME!).

7/10

Tuesday, January 11, 2011

A Message to the Studios

Dear Studio People From the Movies,

I know that it is customary for role-seeking actors to submit themselves to an audition, but considering my rising star status, I feel that it is you, studio people, who should be auditioning for me. You want me in your movies.

Need action? Call me. Need eye candy for the ladies? Call me. Have a script that needs work? Call me. Stunts? Me. Sex? Me. Special effects? Me. Low-quality hack work? Fuck off! Get someone else.

My range as an actor is unbelievable. I have found success portraying dramatic characters(as evidenced in the student film "Jell-o Dolly"), comedic characters (see my superior portrayal of the character Biff Tannen in my personal remake of Back to the Future), and can even do fantastic 'adult' work(gigantic and beautiful penis).

Being that I am way too busy with my career, and well behind on 'Breaking Bad', I have decided to offer you, Mr/Mrs studio executive guy, an opportunity to sample my Lawrence Olivier-like abilities via e-mail.

My first (and only) acting teacher taught me that "acting is acting like you're not acting". Also, she taught me that most acting teachers are just failed actors who drank themselves into insanity. Also, that first part is actually just a quote from "The Rocketeer" and not from my acting teacher, who was an insane drunkard incapable of forming a coherent thought outside of "Fuck Meryl Streep".

Regardless of my lack of formal training, I was still able to become the brilliant artiste that I am today.

Prepare to have your brains splattered all over the wall behind you! It is time for ACTING!

Let's start with a few basic emotions

Slight Anger:



Notice my use of fist shaking to drive the point home.

Blinding rage:



It is clear here that I have been pushed beyond the point of return and I am now making decisions under duress.

This is a little ditty I'd like to call "Oh, it's you":



You see? I'm trying to be polite, but it is clear that I have disdain for my new acquaintance.

Now I'm sure you're seeing these photos and saying to yourself, "Look at this guy. He's clearly very good. Dare I say one of the best, buuuuuuut I want a SMART leading man! Inception 2: Game Over is a smart movie for smart people!"

You want smart? Oh I can do smart.


Boom.

Here's a situation. You get a phone call and...uh-oh. Daniel Day-Lewis went bernanners and can't perform. You need a character actor, and you need one now. Look no further, I can do characters. Here's a character I created. His name is Gary and he's a Batman enthusiast.



Believable as can be. I've often been told that I look like a completely different person when I do this character.

Well, I wasn't going to do this. I'm not really even supposed to do this, but since you're considering hiring me, I'll let this one slide. I'm secretly at work on the set of "Funny Bunches of Oates~A Comedic Retrospective into the Life of John Oates". Here's a photo of my work from the set



Uncanny.

I'm sure you're hoping that this formality has come to an end so that you can rush to your phone and send a call to my agent(me). Well don't jump up too fast, I've got a few scenes to act out for you.
I call this one "My wife is falling off a cliff and I can't hold on"



Intense.

"In Soviet Russia, movie make you!!"



These next two go together. They're called "You're pregnant?!?!?" and "about that baby..."






And I leave you now with my finest creation:
"Getting a boner right before having to deliver a eulogy"




Thank you for your time studio guy/lady. Also, you're welcome for my time. My agents, myself, and the world are waiting for your call.
Sincerely,
Dan Scully



"We've done a good thing here today"

Monday, January 10, 2011

Dan and Scott Review The Fighter






It’s a tradition amongst me and my friends to see a movie on Christmas. Once our collective families have drunkenly driven themselves home from their cheesy-sweater laden festivities, the night is usually still young, and my friends and I play like Jews for a few hours by checking out whatever the hot ticket at the multiplex happens to be. Most of the time, it turns out to be a great time (last year was Sherlock Holmes), but sometimes it proves to be awful(Fuck you, AVP:Requiem). This year was probably the most exceptional year so far, for not only did we rock the double feature, but both movies were quite good. We saw “True Grit”(as did all other Christmas moviegoers) and “The Fighter”. My buddy and fellow film lover, Scott Pagnotti, went to both of these movies together, it’s only fair that he be included in the conversation.

Dan: Welcome Scott, Happy 2011, fuckface! It’s been 6 years since we’ve last heard from David O. Russell. Wait, scratch that. We’ve heard plenty from Russell. I refer of course to the on-set argument between him and Lily Tomlin that circled the video-interwebz in which he calls her the C-word. Yes, that C-word. It has been 6 years, however, since his last feature, “I Heart Huckabees”, a movie that’s so wildly different than his even earlier feature, 1999’s “Three Kings”, that I was very curious to see what “The Fighter” would do for me. To the uninitiated, “The Fighter “ is the true story of fighter Mickey Ward(Mark Wahlberg), and his one last shot at a title before he’s too old to make another go at it. At his back is his brother, former prize fighter Dickey Ecklund(Christian Bale), his mother/trainer(Melissa Leo), as well as the rest of his wickedly dysfunctional family. Along the way he meets Amy Adams, who eventually has sex with him and then me. Yes, I’ll take sloppy seconds to Wahlberg.
Going into this movie, I had low expectations, and I can’t figure out why! It has a fantastic cast, including what looked like the first time in years that Christian Bale hasn’t played a somber grumbly, and is lead by one of the few directors that can coax believability out of Mark Wahlberg. It’s not that Wahlberg is a particularly weak actor or anything, but watching a “Shooter” or “The Happening” Wahlberg is more than a few shades different than watching a “Huckabees” or “Boogie Nights” Wahlberg. Wahlberg. Say it. Waaaahhhhhhlberg. David O. Russell has featured Marky Mark prominently in his last three films, and to date, they are some of his finest work as an actor. Despite all of this, I wasn’t expecting much.

Scott: My anticipation was, well, I really didn't have any. To me this was just another Rocky, starring the guy from Invincible, directed by the guy who beat up Lily Tomlin and costarring the guy who beat up a camera man. I guess Russell Crowe was too busy filming Cinderella Man 2. At the very least this movie would be a few laughs. So I donned my yarmulke and traveled to the local movie theatre to see who "The Fighter" actually was. I got much more than a few laughs. The acting and direction painted a picture of a dark, depressing tunnel with a small light which seemed just ahead at every turn, but would we ever see it?

Dan: Not quite sure that Russell beat up Lily Tomlin. Actually, I'm positive he didn't, but for our purposes not only did he beat her up...he beat her to death. Yes, let it be known that Lily Tomlin died for "I Heart Huckbees", a movie in which she was sharing female lead status with Naomi Watts. The lead female role in The Fighter was also shared and was, in my opinion, the strongest part of the movie. Amy Adams, who is terribly gorgeous(despite playing some serious white trash), goes head to head with another actress who is pulling her own weight quite heavily lately, Melissa Leo(who was introduced to me in the criminally underwatched HBO series "Treme"). To look at Melissa Leo in The Fighter is not to recognize her. In fact, it wasn't until midway through the flick that I even realized who she was, which is a testament to how talented she is(or how unobservant I am. Probably a bit of both). This also spoke to me in terms of Russell as a director. His notoriously loud-mouthed and angry ways seem to be working. Not a single character in this movie leaves any slack behind, performance-wise. The only flaw in the character-work for me, was found in the harem of trashy sisters that Ward has in his family. The flaw, however, is not in performance, but rather in the underwritten status of these characters. Perhaps a little more family backstory could have added a depth to the women as individuals as opposed to being treated(and being featured on screen ALWAYS) as a group. I can see, however, that such a change may have affected the pace of the movie, which was definitely one of it's strengths.


Scott: Dan, I totally agree with what you said about Melissa Leo and Amy Adams. In my opinion they may have been the strongest characters. Christian Bale's character being a drug addict, the father being fearful of the mother majority of the film, Micky's character himself who seemed to transform from indecisive and scared of his family to head strong and in control of himself by the end. As far as the sisters, I believe they played the "sheep" in the movie. Although, I'd rather fuck a sheep. They were fearful and unquestioning to the mother throughout the movie (with the exception of one fantastic scene which showed the spite the mother was capable of) and also just emphasized the mother's control over the family. The step sisters from Cinderella also come to mind in the way they were just an extension of the mother. Unlike Cinderella though, in "The Fighter", all these women did in fact care about the central character in their own weird twisted way, and as much as you may hate them one second you are very sympathetic the next.


Dan: I like what you said about the ugly sister squad being the mother's sheep. It is very interesting to watch the father grow from someone who gives in to his wife(who seems to be training Micky for her own personal gain), into a man who tries his hardest to do right by his son, even if it means angering his family in the process. Like I said before, to introduce a background to the daughters may have offset the pacing of the movie and hurt it. As it stands, the pace of the movie was just right. Heavy drama would give way to lighthearted dialogue and then flow into boxing seamlessly and without that "this is taking forever" feeling. Even the boxing sequences were handled with aplomb, and upon youtube researching, were quite accurate(if not slightly cinematized) down to the announcers. I've heard people complain that a movie called The Fighter" should have had more boxing. It's true that the boxing sequences were few and far between, but I havent seen boxing committed to film so skillfully since "Cinderella Man". Despite the lack of boxing, there was certainly an excess of fighting(ohhhhhhh now I get it). Moms yelling at daughters, brothers yelling at brothers, girlfriends yelling at sisters, even convicts yelling at Christian Bale(who yells back as if they were a room of lighting assistants BOOM!). Another thing that was very strong in this movie was its use of small amounts of humor to lighten the mood, as well as make some scenes more tragic. Bale, surprisingly, brings a wealth of humor to the proceedings, due to his flamboyant personality(the aformentioned convict/yelling scene comes to mind), but simultaneously his character is aware of his own charm and uses it to manipulate others, such as a terribly heartbreaking scene in which he sings to, and eventually with, his mother to distract her from the fact that she just picked him up from a crackhouse. Sound like Oscar bait? Well it would be if it weren't handled with such skill by everyone involved.

Scott: I like to consider myself a boxing fan. Not enthusiast, or die hard fan(although I love Die Hard) but a boxing fan nevertheless. Ward retired in 2003, I started watching boxing slightly before that. I remember his fights with Arturo Gatti, and remember seeing his fight with Shea Neary. During the film at one point I remember hearing someone say "Now they're Rocky fighting" and thinking, "No, they're Micky Ward fighting" because this brought me back to his few fights that I had seen. And like you Dan, I also went to YouTube that night and watched some of his fights and Russel (David O., not Crowe) did a remarkable job recreating the fights as well as the actors. From the commentating, to the trunks and gloves and almost hit for hit. Needless to say I spent the next few days watching old boxing matches. As far as the humor, it is played off so well. No jokes per say, just excellent chemistry. Lines that if I were to post would be lost on anyone who hasn't seen the movie, yet make anyone who has laugh. Most of these lines of course were delivered by Bale. The humor behind them is just another part of this complex character that Christian Bale became. People may be tired of hearing how great he was in this movie, but not only was this the role of a lifetime, he just was the role.

Dan: People will be talking about Christian Bale's role a lot. He did a fantastic job, but I do feel that the reason he's being lauded so highly is that it's been such a long time since we've seen him step out of the mold he has built for himself, but I'm not going to let that sway my opinion. When he does step out of the mold it is always a treat. There's a reason why Christian Bale has been in everything ever...he's fucking good. In closing I'd like to state that this movie was a success because it was exactly the sum of it's parts, all of which are great. Solid acting, a script that embraces convention skillfully, and a director that clearly knows what he's doing, have all been combined to create a solid day at the movies. Interesting sidenote: I've come to respect Russell as a director. The subject matter/genre of his films have been so widely varied, all the while keeping the quality high. Plus, if you can extract a great performance from Mark Wahlberg, that puts you into a league with Scorsese, which is naturally a good place to be.

Scott: Great acting. Great directing. Great story. Even a great soundtrack. I recommend this movie for anyone who's not offended by rated R movies and actually likes being entertained. Not Oscar bait, but definitely Oscar worthy.

Dan's Rating 8/10
Scott's Rating 9/10